We need to learn to listen to each other’s pain and hope. Understanding and empathy are the cornerstones of lasting peace.
~Amos Oz

Film Catalogue:

Israeli and Jewish Films

Zero Motivation

Here’s the full list. Well, that’s kind of underselling it by now. It started as a list, then became a list of lists, and now it’s a list of lists with mini-articles for each list. Note, of course that this series of lists is accompanied by an equally elaborate set of lists for all the Palestinian, Arab and Iranian films which I’ve included in the project as it’s ballooned to the proportions that you see. It’s noticeable that very few of the films on this list are from before the millenium..That is partly because it’s quite hard, from where I am at least, to get hold of earlier Israeli films (unless they’re preserved on YouTube or something). It’s also really noticeable that there was a massive maturing (in some quarters at least) of Israeli films post-millenium.

Foxtrot

This is absolutely not to say that there was before 2000 a complete absence of serious debate and soul-searching within Israeli culture about all the hard issues facing it. We see plenty of that in the literature headed up by the famous triumvirate of Israeli novelists: Amos Oz, AB Yehoshua and David Grossman. However, my general impression of Israeli films before 2000 is that they were often intended as goofy distractions from all the heavy stuff around them. I believe that that may well account for the fact that I didn’t watch a single Israeli film until after the year 2000. We must also bear in mind that it was only after the post-millenial high tech boom that it would have been easy for Israelis to contemplate the production of sophisticated high-budget movies.

Israeli films about “normal” life

The Bubble

Big quotation marks around “normal”, because the word is laced with a certain amount of irony. Without diminishing their essential Israeli/Jewish character, it’s just that these are films which I can imagine to a greater or lesser extent being (re-)made in another, non-Israeli, non-Jewish context, with whatever necessary tweaks. One of them - The Kindergarten Teacher - was indeed repackaged four years later in the USA. The irony is that these include films about life in the Israeli army, which is a very normal part of most people’s life in Israel, but which is of course not at all a normal life when compared to countries such as my own with a fully professional standing army.

Israeli films about Religious Communities and Minorities

Live and Become

In contrast to the list of supposedly “normal” films, I couldn’t really envisage any of the films on this list being remade or rehashed in Hollywood or elsewhere. Of course some of them - most notably Live and Become, a French production with a Romanian director - have input from outside of Israel, but that doesn’t change the fact that they’re very very specific to the place. That probably makes them harder to get into for anyone who doesn’t know a bit about the history and/or the sociology. It may just be a hard fact that to understand what’s going on in these films you need to have at least a little bit of prior understanding of Jewish traditions, not only the history, and some broad awareness of the incredibly complex kaleidoscope of Jewish identities.

A Borrowed Identity

Most of the films are about the tensions within and between the Ashkenazi and Sephardi/Mizrahi communities. Several of them - Kadosh, Fill The Void, Tikkun and Ushpizin look inside the closed world of the Ashkenazi Ultra-Orthodox, a milieu which is little understood outside Israel and diaspora Jewish communities, and one which stands apart from the Arab-Israeli conflict (or perhaps let’s say rather that it tries very hard to stand apart from the conflict, and that that leads to another kind of conflict). On the other side of the ledger, the Sephardi/Mizrahi communities are depicted in God’s Neighbours, The Women’s Balcony and the Vivian trilogy.

However, there is one other outlier on the list - A Borrowed Identity (aka The Dancing Arabs), a film which adresses the cultural dilemmas around integration, faced by Arabs who grow up within Israeli-Jewish society.

Films about War - Israeli-made, or seen from the Israeli viewpoint

Golda

All but one of these films was made in Israel. I added the clarification about the Israeli “viewpoint” simply because one of them, the very recently made Golda, is in fact a US/UK production (albeit that the director, and several of the actors, apart from Helen Mirren in the lead role, are Israeli). I didn’t actually think too much of Golda, to be honest, and I feel the same way about at least a couple more of these. It seemed to me that some of them were made more for the sake of mythmaking than with the goal of asking serious questions about what I recently heard the notable journalist Thomas Friedman very neatly describing as nearly one hundred years of “war, timeout, war, timeout, war, timeout….”

Lebanon

The trio of films in the middle of the list, however - Beaufort, Waltz With Bashir and Lebanon - are all extraordinarily honest pieces of work, which ask profound existential questions about that very situation. Also, Tantura is a documentary about a man who paid a very heavy price for asking too many of those questions for the liking of many of his compatriots. I’ve included Yossi & Jagger on this list, as well as on the list of “normal” films, because it has quite a lot to say about both Israeli society and the state of endless war.

Films about the Occupation

Time of Favour - HaHesder - ההסדר

With only a couple of exceptions that fall a bit short, these are all very hard-hitting works. Tough questions will be asked, obviously. As with Yossi & Jagger on the previous list, I’ve got Eytan Fox’s The Bubble on this list, while also including it in the list of films about “normal” life, because it’s the film that brings the Occupation “home” more sharply than any other that I’ve seen. Note that several of these are documentary films, and that some of them are publicly available on YouTube (just try the links to find out!)

Diaspora Jewish films

Farewell Baghdad

Some of these films, for example Disobedience and Menashe, complement the list of films about religious communities within Israel, and the two films with Baghdad in the title shed light on issues of Sephardi and Mizrahi identity in the Jewish State. Of course not all of them are about religion, but more about Jewish identity in the Diaspora. Thankfully, some of them offer a little light relief from the horror and the darkness of the films in the two lists immediately above and below.

Films about the Sho’ah / Holocaust

God On Trial

As I already wrote about in my introductory post, I’m only including films about the Holocaust which got all the way under my skin. There were a whole gaggle of films made in the nineties and noughties which were subject to quite a lot of media hype, but which missed the mark in my opinion. I’m not therefore including some well-known films like Schindler’s List, The Pianist and Life is Beautiful, among others. They’re not at all bad films, and obviously you can include them if you want. It’s a very hard subject, to state the blindingly obvious, and choosing one’s “preferred” films is a very very personal choice. There’s absolutely no reason that the films that resonate for me have to resonate with everyone else. There are also a few quite bad films about the Holocaust (looking at you, for example, The Boy In the Striped Pajamas), which only deserve mention for how badly they fail at the subject.

The Pawnbroker

Not all of the films on this list are about the Holocaust itself. Three of them are about the echos of those events, which - even as the last criminals and their victims pass away - still do of course resonate in the madness of today’s Middle East. Sidney Lumet’s The Pawnbroker (based on the novel of the same name) was one of the first films to investigate the dark and complex psychology of a Holocaust survivor, and I suppose one of the first that I saw as a teenager, along perhaps with Sophie’s Choice (starring Meryl Streep in one of her earlier breakout roles, I guess). I didn’t include Sophie’s Choice on the list, but again this decision is not because I thought it was a bad movie. It was just a very long time ago, and I may well include it after watching the film again.

Plan A

The memories depicted in The Pawnbroker and others are cynically exploited by some (if you look at few of my posts you won’t need to try too hard to guess who I mean) to justify the worst impunity and abuse of universal human rights, but these are of course memories nonetheless which we can’t pretend to be irrelevant to the prickly psychology of Israelis as a people. Plan A is a very recently made film which surprised me with a story that I had absolutely no knowledge of. It’s the true story of a band of Holocaust survivors who organised to take systematic revenge against the German people in the years between the end of the War and the establishment of Israel. Vengeance. Sounds familiar, right? I wasn’t actually expecting it to be as good as it turned out to be. Well worth checking out.

Walk On Water

Walk On Water is the THIRD Eytan Fox film which finds itself on two lists. That guy must be onto something. Of course it’s true that every second Israeli film might somehow or other reference the Holocaust, but here once again Fox has the special knack of plugging the external issue (or rather, in this case the deeply felt historical issue) directly into contemporary Israeli existence, and that is why the film belongs on both the so-called “normal” list and this explicitly far from normal list.