The truth was a mirror in the hands of God. It fell, and broke into pieces. Everybody took a piece of it, And they looked at it and thought they had the truth.
~Rumi

Film Catalogue:

Palestinian, Arab, Muslim World Films

The Crossing

The full list of Palestinian/Arab and Iranian films. As stated on the accompanying page, some of the Palestinian films were made in Israel and primarily with Israeli money, but I think you have to be a bit of an ideological hardass to say that that automatically makes them unPalestinian, and since they speak of the Palestinian perspective, they are to be found here. I think that it’s also clear that the Egyptian and Iranian film industies, in particular, are much bigger than what is seen here, but of course they are not at the centre of my focus.

I am hoping at some point that I will be able to create one small list, which will belong on both pages, containing films which describe respectful and equal relationships involving Israelis and Palestinians. There are a couple of candidates, which I still haven’t got around to watching at the time of writing.

Palestinian films from/about Gaza and the Occupied Territories

Tel Aviv On Fire

I used the word “normal” in the corresponding Israeli section, to describe films which depict everyday life, situations which are perhaps not specifically Jewish, and whose themes could therefore be adapted into another cultural context. Most notably, the majority of those Israeli films contain little or no reference to Arabs. Slightly misleading for me to describe that as normal. It’s of course delusional to pretend that you can ignore what’s going on, but it’s a delusion successfully marketed to the Israeli public ever since construction of the wall began. Conversely, it is virtually impossible for a Palestinian film to contain no references to Israel, because normal life for Palestinians is the life under Israeli occupation. So there is a substantive difference in that regard at least. All that said, why fuss too much over this word? Evidentally nothing is normal in the whole situation, seen from outside, and yet this is also normal life, seen from the side of either of these two concerned parties.

The Stranger

Strictly and rather technically-pedantically speaking, The Stranger isn’t a Palestinian film, being about Arabs in the Golan Heights, who of course traditionally identify as Syrian rather than Palestinian. That identification has apparently been fragmenting since the Civil War started in Syria, but of course the official political status of the place in the eyes of the so-called international community remains that of 1967/1973. The film is also not directed by a Palestinian, but since it’s set in Israeli-occupied territores I’ve put it in this section.

Films about 1948, and about exile

Farha

Very hard stuff. These films are all documentaries, apart from Farha, a film which caused quite a controversy when Avigdor Lieberman (a far right Israeli politician who is now considered to be a relative moderate compared to some people in this government - “relative” is of course very very relative in this case) condemned Netflix for streaming the film in Israel. Uncomfortable viewing for him, no doubt, but I’m here for honest and open discussions.

Palestinian films from inside the 1948 borders

Junction 48

A very small section, of course - simply because most productions made inside those borders are of course Israeli productions. I’m assuming that at least some of the funding for some of these films was Israeli, but they’re very much Arab directed and Arab-acted. Only one of these films, Ajami, has a Jewish Israeli character foregrounded in the story. Fair enough - it’s about carving out a space. The most interesting thing to note about these films is the enormous diversity of Arab identities that you have inside a relatively small geographical space (just like Lebanon) -from Nazarene Christian Arabs in Wajib to tent-dwelling Bedouin in Sandstorm.

Palestinian short films (from the Occupied Territories, and from exile)

A Drowning Man

Netflix is a bit annoying in a couple of ways, as I’ve mentioned elsewhere, but I really do have to commend them for the selection of Palestinian films which they make available, and there are a few little gems here which you would really struggle to find anywhere else. Several of these films come from Mahdi Fleifel. I’ll have to devote a post to his works at some point. Three of those, Xenos, A Man Returned and 3 Logical Exits follow up on his longer feature, A World Not Ours, tracing the often desperate life decisions of an acquaintance from the Lebanese refugee camp in which the feature film is shown.

Egyptian and other North African films

Clash - Eshtebak

At the moment of writing, I have still watched fewer than half of these films, simply because Israel-Palestine (by extension Lebanon, and by further extension to that: Iran) have been the priorite so far. I’ll have more to say later, but anyway the work of Mohamad Diab (Cairo 678 and Clash) is pretty interesting. Also, The Unknown Saint is good if you’re in the mood for something quirky, away from the eye of the Middle East storm. Tunisia, the original home of the Arab Spring, has made an interesting contribution since then. Although only a very short film, Aya (available on Netflix last time I checked) is well worth searching out. It’s heartbreaking, but it says a lot in little or no time at all.

  • Cairo Station (Bāb al-Ḥadīd - The Iron Gate - باب الحديد) (1958) Trailer
  • Chitchat on the Nile (Thartharah fawqa al-Nīl - ثرثرة فوق النيل) (1971)
  • Days of Sadat (Ayaam al-Sadat - أيام السادات) (2001) Watch on Youtube (grainy and jumpy film, but anyway, it's there)
  • Cairo 678 (dir. Mohamed Diab,  2010 - Interview) Trailer
  • Rock the Casbah (2013)
  • As I Open My Eyes (À peine j'ouvre les yeux) (Ala Hayat Ayni - On my Eye - على حلة عيني ) (2015) Trailer
  • Clash (Eshtebak - اشتباك) (dir. Mohamed Diab,  2016 - Interview) Trailer
  • The Flower of Aleppo (Zahrat Halab - زهرة حلب) (2016) Trailer
  • Undercover Egypt (2016)
  • Aya (آية) (2017) Trailer
  • Yomeddine (Judgement Day - يوم الدين) (2018) Trailer
  • The Unknown Saint (Sayid al-Majhul - سيد المجهول) (dir. Alaa Eddine Aljem,  2019 - Interview) Trailer
  • The Hunt for Gaddafi's Billions (2021)
  • The Blue Caftan (2022) Trailer

Films from/about Iraq, Syria and Lebanon

West Beirut

I’ve already written one very long post about three of these films (West Beirut, The Insult and Memory Box), and a shorter post about one other (Costa Brava, Lebanon). I’ll be coming back soon enough, and at the time of writing these words (September 2024) it’s looking ever more likely, alas, that Lebanon is going to get foregrounded again. I’ve never been to Lebanon, but somehow it very much lives inside me. As for the films about Iraq and Syria, God help me….

Films from/about the Arabian Peninsula

Wadjda

I gotta be honest. Before I started this project it had not occurred to me that there was the possibility of a film coming out of Saudi Arabia. I was wrong. There are two lovely Saudi films on this list - Wadjda and Barakah Meets Barakah. However, I should point out that they were made before MBS’s hostile takeover. I imagine the possibilities for expression are severely reduced now from what they were when those films were made. If the sportswashing is working on you, your probably not reading this anyway. Two of the films are about a conflict which we have mostly forgotten in the last decade - Yemen. I don’t know anything about it, other than that the Houthis are there. I’ll try to learn something.

Theeb

Don’t get the wrong idea, by the way, about one of the films on this list. I’m WELL aware, from pre-reading about it, and from watching only two minutes of it, that Al-Kameen is a propaganda film. I’m going to watch it alongside Hunger Ward, a warts and all documentary about the war in Yemen. Theeb was made in Jordan, but it’s very much about the Hejaz, and is pretty much the only film on either list which harks right back to the pre-1948 historical roots of the Israeli-Arab conflict (albeit that it’s only a quite oblique reference).

Films from/about Iran

Baran

Apologies for any inconsistent transliteration of the Farsi - I’m just lifting them from Wikipedia. Nothing much else to say. Iran versus Israel - we can all see what’s going on. Apart from all that shitty geopolitics and the horrible internal politics of both countries, Iran produces beautiful and deeply contemplative films which are worth watching for their own sake, and not only for the sake of political or historical commentary. I’ve already written briefly about one of these, and will certainly come back for more soon.

Note that you can in fact find quite a few of these films, in full, on YouTube. I just want to say that I’ve added the links here, but that I have absolutely no idea about whether there are copyright issues. If the links don’t work for you, then very possibly there was, but I rather guess that the situation is similar to that pertaining to a lot of Russian films which you can easily find on YouTube, and that whatever copyright law exists is pretty flexible for these movies. It’s also possible, in some cases, that because of the censorship in Iran the makers decided to put the films on YouTube for free, to provide an easy way for people to find them (albeit that it’s probably not easy at all in Iran these days to get onto YouTube). I just don’t know. Of course there’s no point expecting super HD video quality, or amazing sound. Nor do I have any idea if the subtitles will be consistent or anything close to accurate!